Showing posts with label Lovecraft. Show all posts
Showing posts with label Lovecraft. Show all posts

Monday, August 21, 2017

FHTAGN ROCK OPERA OF DOOOM!

Our old pal Fabian Rush has, at long last, fulfilled his lifelong dream of creating a rock opera based on the writings of H.P. Lovecraft! And the generous bastard went and uploaded the whole thing--entitled Fhtagn! Rock Opera of Doom--on Youtube, where you can watch it for free!


I'm about 20 minutes in, myself, and I'm LOVING IT! The music is fantastic, particularly if you're an aficionado of dark ambient, or heavy metal with a Gothic and/or Industrial flavor. It's also got a sense of humor about itself, which helps the somewhat DIY special effects go down easy.

Help spread this around! It fully deserves to achieve cult status!

Friday, January 8, 2016

SUGGESTED READINGS FOR JAN 8, 2016



1. One of my favorite current non-fiction authors is Gary Lachman, who also happens to have been a founding member of the seminal New Wave band, Blondie. Talk about an interesting life! I regularly recommend Lachman's books to young seekers who ask my opinion for "a good place to start" doing some serious study of the hidden, the esoteric, the occult. This Daily Grail excerpt from Lachman's 2013 book, The Caretakers of the Cosmos: Living Responsibly in an Unfinished World, features much of what I like about his writing. I am particularly impressed by his ability to weave learned and profitable speculations together from such disparate elements as H.P. Lovecraft's century-old pulp fiction, Jean-Paul Sartre's mid-century philosophical existentialism, and the pessimistic, postmodernist prognostications of contemporary "ideas man" John Gray... with a little bit of Charlie Manson thrown in, for piquancy. It begins:
According to the latest estimates, our earth formed some 4.5 billion years ago, roughly ten billion years after the Big Bang, from cosmic dust and gas left over from the sun’s formation. It is believed life appeared on earth within a billion years after our planet formed. The standard account of the ‘birth of life’ suggests that self-replicating molecules accidentally emerged from the primordial soup some 3.5 billion years ago, and through an equally accidental process, over millions of years eventually turned into myself writing these words and you reading them – with, of course, quite a few different organisms in between. As with the Big Bang, the emergence of life is another example of the ‘something from nothing for no reason’ scenario popular with many scientists today. According to the same scenario, the consciousness I am exhibiting in writing these words – humble, indeed – and which you are employing in reading them, also emerged purely through accident, as an epiphenomenon of purely physical interactions of our brains’ neurons, which are themselves the result of the purely mechanical process of evolution, the Darwinian version. (An epiphenomenon is a kind of side show to the main attraction. Steam is an epiphenomenon of boiling water; it has no existence in itself, and without the boiling water, there would be no steam. For many neuroscientists and philosophers of mind today, our consciousness is little more than a kind of steam given off by the brain.) 
To dot the i’s and cross the t’s on this, let me say it in the simplest way possible. According to the most commonly accepted scientific view, no one wanted the Big Bang to happen. No onewanted the earth to form. No one wanted life to appear on the earth. And no one wanted life to evolve into us. There is no reason for any of it. It just happened.
Keep reading at the link for a touch of cosmic optimism as Lachman develops his central theme, which is that humans - we - have a unique and indispensable responsibility to existence: that of saving it from meaninglessness.


2. Another one of my favorite current non-fiction authors is Peter Bebergal, who was recently interviewed by The Quietus about his book Seasons of the Witch: How the Occult Saved Rock and Roll. The article also contains an excerpt from the book about the magickal obsessions and exploits of David Bowie, about whom Bebergal declares:
I believe David Bowie is the true magician in the story of rock & roll, the artist who most perfectly realised the definition of magic, both Crowley's original ("The science and art of causing change to occur in conformity with Will") and Dion Fortune's modification ("Magick is the art of causing changes in consciousness in conformity with the Will"). The thing I wanted to emphasise in Season Of The Witch is that the occult imagination is not simply about belief or practice, it's about how the application of the occult became the very method by which rock & roll was often realised. Bowie's music and performance were a magical practice, maybe even more potent than if he sat by himself in his room and tried to conjure a demon. I think this goes to the heart with my frustration with the occult merely has a belief system. Without art, without some expression of those experiences and those interactions with the unconscious, I lose interest. It's fun to imagine Crowley at the Boleskine house trying to meet his Holy Guardian Angel, but what is left except the story? The story of David Bowie drawing the Kabbalistic tree of life in the studio when he was recording Station To Station resonates because of Station To Station the album. It's a masterpiece, and it is partly a result of what was going on in his head as he tried to manage a psyche fractured by cocaine and occultism.
In light of Bowie's recent, spectacular return to form with the incredible song/video one/two punch of Blackstar, the above interview/excerpt couldn't be more timely.


3. Theologian and cultural critic Tara Isabella Burton's extended think piece for Aeon, entitled Dark Books, asks in part whether we are sufficiently wary of the potentially malefic hold that some fiction can exert upon the reader, or conscious of the possible consequences of feasting too eagerly upon the poisonous literary fruit of an evil, or diseased, creator. From the introductory passage:
In his condemnatory tract Popular Amusements (1869), the American clergyman Jonathan Townley Crane cautioned his flock against reading novels: ‘novel-readers spend many a precious hour in dreaming out clumsy little romances of their own, in which they themselves are the beautiful ladies and the gallant gentlemen who achieve impossibilities…’ only to find themselves ‘merged in the hero of the story’, losing the sense of who they really are. 
Such a view might seem outdated now that we’re far more likely to talk about the health benefits of reading than its moral dangers. But in treating novels as the ultimate nutrition for the brain, do we risk neutralising their potency? After all, religious moralists such as Crane were not the only people to explore the dangers of novel-reading and the treacherous dynamics of story-telling: novelists and writers themselves drew attention to and critiqued the writer’s singular power over his readers. 
Many of these authors – the philosopher Søren Kierkegaard in Denmark, the Decadent novelists Julés-Amedée Barbey D’Aurevilly and Octave Mirbeau in France, or Oscar Wilde in England – were responding to a wider intellectual trend in the 19th century: the configuring of the artist as a kind of replacement Creator-deity in an age turning away from traditional authoritarian conceptions of God; a quasi-divine artist whose words, according to the Romantic poet Samuel Taylor Coleridge, were ‘a repetition in the finite mind of the eternal act of creation in the infinite I AM’. Writer-philosophers such as Johann Gottlieb Fichte and Friedrich Schlegel drew on the philosophy of Immanuel Kant to celebrate the power of the human mind to impose order and form on the chaos of the world, and envisioned the artist or storyteller figure as a kind of über-Mensch, or superman, who could wield the organising power of narrative to lend form to the void. 
But godlike power (as plenty of Romantic writers came to discover) has a dark side. And in the works of some of the greatest and most disturbing writers of the 19th century, we get a glimpse of what that dark side looks like: something at once more profound – and more diabolical – than Crane could have imagined.
Unfortunately, after posing some extremely intriguing questions, Burton succumbs to the temptation of tying her thesis to a wobbly foundation of politically correct hand-wringing over the patriarchy, rape culture, and the unspeakable evils of colonialism. Which is really too bad, because up until the final section, this had the potential to be an intriguing exploration of literary transgression. As things currently stand, it is still worth reading, but that great essay about literary transgression is still floating in the formless void, waiting to be shared with the waking, walking world. Fuck, maybe I'll take a stab at writing it myself one day.

***
QUOTE OF THE DAY
"The Second Amendment prevents the federal government from completely abolishing official state militias - nothing more, nothing less. Nothing in the Constitution prevents the federal or state governments, or both, from outlawing the formation of storm trooper squads on U.S. soil and limiting gun ownership to members of the National Guard. Members of right-wing paramilitary militias, of course, might claim a 'natural right of revolution,' of the sort invoked by the American patriots of 1776 (and by the Confederates in 1860-61), There is no constitutional right to revolution, however. There is, of course, a provision for instances where armed bands amass weapons and attempt to overthrow the federal government. The Constitution permits the death penalty for treason."
Michael Lind skewers the NRA position on the second amendment in his book Up From Conservatism: Why the Right is Wrong for America.

Wednesday, December 10, 2014

DDD SUGGESTED READING LIST ~ DEC 10, 2014

1. This article from Dangerous Minds might be the most frustrating thing I've come across today, because it's all about a "jaw-dropping" German documentary about the preeminent Luciferian/Thelemite experimental filmmaker/artist/writer of our age, Kenneth Anger. But the video that it sets up so beautifully - Kenneth Anger: Film as Magical Ritual - has been removed from Youtube, and I can't find it anywhere else, for the life of me. All I can find is this tiny excerpt:


Considering what the article has to say about this documentary, this inability to link to the film is proving frustrating in the extreme. So if any of you reading this know where I can see it, by all means contact me and let me know. I mean, if it serves as "as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere", and is "a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers", then goddamnit, I wanna see it, and share it! Keep your eyes peeled for future updates.
2. While we're waiting for someone to dig up the Anger doc, why not spend some time learning about what Flavorwire considers to be the 50 Weirdest Movies Ever Made? Personally, I've seen 20, with most of the ones I've missed being from various Asian nations (Thailand, the Philippines), and some of them don't really deserve to be listed here. For instance, Zardoz, Crimewave and Boxing Helena are odd, no doubt... but among the weirdest films ever made? With such baffling offerings as Holy Motors, Amer, and Upstream Color not making the list, perhaps it is in need of a rethink. Anyway, if the films listed in Flavorwire's article aren't obscure enough for you, here's Games Radar's list of 50 Amazing Films You've Never Seen. I found a lot more strange pickings there, including a few I'd never even heard of before, much less seen. And I try to see a LOT. The lo-fi, super-hostile French anti-American 70's satire Mr. Freedom was a particularly odd revelation. You can watch the first part, below, and pick up the rest on Youtube.


3. And what better way to finish things off than by linking to an ass-load of Totally EVIL Paintings?! Many of the usual suspects - and a great many who were influenced by these usual suspects - are represented here, as there is a great focus on Lovecraftian, apocalyptic horrors. However, any such gallery that chooses to omit even a single piece by Thomas "Painter of Light" Kinkade is kind of missing the boat, if you ask me.

Tuesday, December 9, 2014

DDD SUGGESTED READING LIST ~ DEC 9, 2014


1. According to this eye-popping article from the Independent UK, using "magic mushrooms" can change one's personality... for the better! The article states:
The study, at Johns Hopkins University of Medicine in Baltimore, found that a single dose of psilocybin, the active ingredient in magic mushrooms, was enough to cause positive effects for up to a year. "Psilocybin can facilitate experiences that change how people perceive themselves and their environment," said Roland Griffiths, a study author and professor of psychiatry and behavioural science at Johns Hopkins. "That's unprecedented."
Users who had a "mystical experience" while taking the drug showed increases in a personality trait dubbed "openness", one of the five major traits used in psychology to describe human personality. Openness is associated with imagination, artistic appreciation, feelings, abstract ideas and general broad-mindedness. None of the other four traits – extroversion, neuroticism, agreeableness and conscientiousness – was altered.
The study further shows that those who did NOT receive a beneficial boost of openness from ingesting shrooms didn't show any negative responses, either. Not a single "bad trip", and not a single negative result throughout the study. That's a damn sight better than most pharmaceutical tests, I can assure you.

2. If you're the kind of reader who enjoys a giggle or a titter to go along with your shivers, then look no further than artist Patrick Dean's ongoing blog series featuring Underwhelming Lovecraft Monsters! The example below is just a sketch pad scan. Most of the posts involved somewhat involved, multi-paneled stories that are sure to give great delight to even the most glancing of Lovecraft fans. Enjoy! And, by all means, Bookmark it as a favorite! When I put together that Daily Dirt Diaspora Ultimate Online Comics Page (coming soon), Underwhelming Lovecraft is sure to be a member strip!


3. Read this detailed overview of the Cicada 3301 online mystery that baffled the net's best code-breakers for the better part of a year. Then read this detailed overview of one group's collective attempts at solving that mystery. Then read this gripping account of Joel Eriksson, who "solved" Cicada 3301... but not really. Although I do appreciate his guesstimate about who might be behind the now annual hacker's delight puzzle game:
"It is most likely an underground organization, not related to any government or intelligence agency," he says. "Based on the references in their challenges—the Agrippa poem by William Gibson, The Marriage of Heaven and Hell by William Blake, The Book of The Law by Aleister Crowley — and their constant references to prime numbers and the like, they are likely intellectual, anti-establishment, ideologically driven and they seem to be valuing logical/analytical thinking highly. They seem to share a lot of ideology with the cryptoanarchy movement, and old-school hackers."
Personally, although I find the references kind of interesting - and in hindsight, I would have easily guessed the answer to the first clue right away - "a book dictated to a beast?" Nigga please - the whole enterprise strikes me as a huge waste of time. But then again, what isn't these days? Still worth a read, that's for sure.

Monday, November 24, 2014

MEDIAVORE:FILM ~ SPIDER LABYRINTH (1988)

SPIDER LABYRINTH (1988)

Do you like your Italian horror movies full of vertiginous angles, vivid primary colors, and improbably hot Italian actresses? You say you’re a fan of gratuitous toplessness, piss-poor English dubbing, and bizarre sub-plots that lead absolutely nowhere at a breakneck pace? Do you prefer an "American" hero is a hairy-necked, oblivious dullard that is completely ineffectual at preventing people from dropping like flies all around him? Are you a fan of cheap-shot “jump” scares accompanied by orchestral stings so incongruously loud that your ears ring for weeks, afterwards? Do you dig giant, vaguely Lovecraftian spiders and vicious, hissing, seemingly indestructible vampiric Bonobo apes? Then by all means, drop whatever it is you're doing right now and watch Spider Labyrinth with me, right fucking now?

Sunday, November 23, 2014

MEDIAVORE:FILM ~ ETHEREAL CHRYSALIS


In May of this year, I was fortunate to be present on opening night at Toronto's Art for Peace exhibit, a ground-breaking showcase for the works of many fine Canadian and international artists, all working in a loosely defined genre often referred to as "Fantastic Art". My somewhat lengthy overview of that event can be read here.

One of the people I had the pleasure of meeting that night was Montreal video artist Syl Disjonk, who was there to help his friend, associate, and fellow artist Jean Pronovost set up some large pieces, including a sculpture of a vengeful Sphinx murdering a bloated businessman by shoving fistfuls of gold coins into his fat, gaping gob - a piece that was widely recognized by all present as one of the exhibition's high points.

Late in the evening, when the crowds began to thin, I got a chance to spend some quality time with the remarkably personable Syl and Jean, chatting about their work as well as our shared interests, which included Quebecois pop culture, progressive metal pioneers Voivod, and, of course, our love of all things Lovecraft.

Syl, I learned, had recently completed a short film called Ethereal Chrysalis, which he described to me as "a surrealist Lovecraftian mind-fuck", or words to that effect. After visiting the short's website, I was intrigued. Then I saw the film, and to say that it did not disappoint would be a massive understatement.

This movie is just pure, balls-out bonkers from start to finish. It begins with Syl ripping his own face off and inviting you to step inside his head, where a labyrinthine series of paranoid tableaux unfold. These evocative hellscapes are bursting with subliminal elements and psycho-mystical symbolism. Carrying an armload of unidentifiable carrion, Syl discovers a ladder leading up to the head of a giant version of himself. He climbs the ladder and is almost instantly trapped by a sinister “psychic alchemist” who draws out some of Syl’s life essence, using it to transform into a slimy penis/eel/tentacle that flies into a black hole only to be reborn as a half-turtle, half-crustacean war-beast, forcing Syl to retaliate by tearing off his own head, hurling it at the monster, and trapping it in a bloody cocoon of crusty scabs.

And that's when things really get weird.

Until recently, Ethereal Chrysalis was making the festival rounds, which means that it wasn't available to watch online. Festivals frown on giving screen time to work that people can watch on their iPhones while taking a dump in the office shitter, you see. But now, after earning plaudits and awards all around the world, Syl has decided that the time is right to unleash his movie on an unsuspecting world via that most democratic of all video sharing sites, Youtube. 

And so, without further ado, I proudly present my friend Syl Disjonk's film, Ethereal Chrysalis, to the Daily Dirt Diaspora readership. I urge you to watch it and, if you like it, to share it with your friends. It's a twisted little masterpiece - an obvious labor of love - and attention must be paid.

Friday, October 10, 2014

MONSTER MAYHEM THURSDAY DOUBLE-SHOT!

Last week, I brought you guys my take on the Typhonian occultist Kenneth Grant's unique descriptive variation on H.P. Lovecraft's original creation, the evil Elder God Yog Sothoth. This week, I figured I might as show you guys how the inked version turned out.


Also, seeing as the above image is essentially a repeat, I thought I'd also show you guys my latest exercise in color marker doodling... the tragic, murderous living tumor Belial from Frank Henenlotter's infamous Basket Case series of low budget exploitation horror films. Enjoy!

Tuesday, June 4, 2013

HP LOVECRAFT'S SHADOW OUT OF TIME


How this lovingly produced short film version of HP Lovecraft's The Shadow Out Of Time doesn't have five million views yet is completely beyond me. Trust yer old pal Jerky when he tells you, THIS is TOTALLY WORTH the fifteen minutes of your day that it takes to watch. Lovingly crafted independent old-school stop-motion animation combined with wonderful acting and a killer story make for an instant classic! Enjoy! And, for fuck's sake, SPREAD THE JOY!!!

Friday, May 3, 2013

TWO EXCELLENT VIDEOS

The Overview Effect is a 20 minute short film that examines the aesthetic and philosophical implications that arise when one gets the chance to peer at one's home planet - in this case, Earth - from an outer space vantage point. Filled with beautiful images and beautiful thoughts spoken by beautiful human beings, The Overview Effect is the very definition of "soul food". Get your daily recommended dose of awe today by making time to give this film your undivided attention.


The next video I want to share with y'all is awesome, but for much different reasons. It's called Sleeve, and it's a retelling via puppets of one of the central stories of Lovecraft's Cthulhu Mythos cycle of stories, all presented while a rather excellent progressive rock tune by British band Thumpermonkey. As far as I can tell, the song has nothing to do with the visuals being presented, but it rocks out with syncopated, odd time signature-soaked cacaphonic glee, which means it certainly doesn't hurt!


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By the way, don't forget our PARACULTURAL CALENDAR entries over at our sister-site, UselessEaterBlog! The May 1 edition is an absolute doozy, covering everything from Preznit Dubya's "Mission Accomplished" battleship romp to the birth of the dreaded ILLUMINATI! Oh, and there's an in-depth exploration of the history of May Day, to boot! The May 2 edition covers everything from thye initiation of the Saxe-Coburg Gotha bloodline to the totally-above-board-and-not-fishy-at-all takedown of Osama bin Laden by Seal Team Six! Click these links to get your friggen LEARN on, people!

Saturday, February 2, 2013

EVEN DEATH MAY DIE

"When at last I awakened, it was to discover myself half sucked into a slimy expanse of hellish black mire which extended about me in monotonous undulations as far as I could see, and in which my boat lay grounded some distance away. Though one might well imagine that my first sensation would be of wonder at so prodigious and unexpected a transformation of scenery, I was in reality more horrified than astonished; for there was in the air and in the rotting soil a sinister quality which chilled me to the very core. The region was putrid with the carcasses of decaying fish, and of other less describable things which I saw protruding from the nasty mud of the unending plain. Perhaps I should not hope to convey in mere words the unutterable hideousness that can dwell in absolute silence and barren immensity. There was nothing within hearing, and nothing in sight save a vast reach of black slime; yet the very completeness of the stillness and the homogeneity of the landscape oppressed me with a nauseating fear. The sun was blazing down from a sky which seemed to me almost black in its cloudless cruelty; as though reflecting the inky marsh beneath my feet. … Nor were there any sea-fowl to prey upon the dead things."
From Dagon by H.P. Lovecraft
Upon encountering three news stories about the sorry state of the world's oceans a while back, yer old pal Jerky's thoughts turned to Howard Phillips Lovecraft, the prodigy of Providence, living anachronism, gentleman nihilist. In his lifetime, Lovecraft barely eked out a living as an author of weird fiction for pulpy journals of ill repute. Sickly since birth, he died a pauper in his early 40s, just before World War II really got rolling. Fortunately, he left behind a devoted circle of correspondents and admirers who refused to let his visions of cosmic dread be relegated to the recycle bin of literary history. Today, nearly seventy years since his death, many consider Lovecraft the 20th century's most important author of fantastic fiction, a Poe for the nineteen-hundreds.

Make no mistake, he remains a cult commodity; multiple cults in fact, including a number of literalists who've made fetishes of the master's McGuffins. Among these, the reality of a blasphemous grimmoire entitled Al Azif, or the Necronomicon, remains the most persistent rumor. For some, the idea of a book containing knowledge so unutterably awful that anyone reading it risks going insane is simply too good not to be true. Occasionally, academics eager to bolster their "geek cred" with a certain phenotype of student will invoke the name of H.P. Lovecraft, but in the world of learned elites, his work remains a guilty pleasure.

Lovecraft is not without his champions, however. Jacques Bergier, nuclear chemist and World War II hero, introduced his work to the Continent. There, Lovecraft's adjectival excesses were more easily forgiven -- even appreciated -- and his resonance with Nietzsche, Spengler, Freud and Einstein were more readily detected. Not a few who lived through this terrible age of death camps and atomic annihilation sensed the tremor of prophecy in Lovecraft's words. It's not for his style, but for his substance -- or, perhaps more accurately, his subtext -- that Lovecraft's reputation grows more formidable with every passing year.

French novelist and enfant terrible Michel Houellebecq counts himself an unabashed fan. Recalling his youthful first encounter with Lovecraft's work, he writes: "To call it a shock would be an understatement. I had not known literature was capable of this. And, what's more, I'm still not sure it is. There is something not really literary about Lovecraft's work."

Reading The Colour Out of Space provides clues as to Houellebecq's meaning. Besides being Lovecraft's most unnerving work -- and a rip-roaring yarn -- this is a story that captures with skin-crawling accuracy the arcane befoulment wrought by radioactive poisoning. That it was written decades before man first tried to split the atom only adds to the frisson one feels when reading it.

Which brings us, in a roundabout way, to the subject at hand. Though he seldom strayed far from his coastal hometown, Lovecraft loathed the ocean. In its depths, he saw a reflection of the boundless void irreversibly exposed when reason ripped away the comforting veil of superstition. It seems oddly fitting, therefore, that the world's oceans are rapidly deliquescing into a zone of Lovecraftian ruin. Nowhere is this more apparent than in the septic sea we call the Gulf of Mexico.

Along the shores of Englewood Beech a few years ago, seekers of sun and fun bore witness to an astonishing phenomenon; an abyssal procession of sea-life, flopping and wiggling and slithering along in their thousands. All manner of fish, crustaceans, mollusks and eels were observed traveling south in a narrow band stretching for miles, hugging close to shore. Predator swam alongside prey, ignoring the easy pickings in favor of beating the hastiest possible retreat. "You name the species of fish and they were there", one onlooker marveled. "It's incredible. I have never seen anything like that in my life."

As is so frequently the case in Lovecraft's fiction, the scientific community was at a loss to explain. "We just don't know what's happening," declared one researcher. "That's a lot of maybes and what-ifs. I know the state is working on that and some other reports, so maybe by next week we'll have some answers."

Elsewhere in the Gulf, some were coming face to face with a phenomenon so terrible in scope and portent that it makes the story above seem almost quaint. SCUBA divers are returning to shore with hair-raising descriptions of an unprecedentedly vast dead zone. "I'm talking zero things are alive out there", said witness Mike Miller, grimly adding: "The only way to describe it is a nuclear bomb."

The main candidate at this point is the presence of a "stealth" Red Tide. This so-called natural phenomenon bears more than a passing resemblance to the Old Testament plague, and is an otherworldly terror in its own right.

When the algae that thrive on human, livestock and industrial waste begin to multiply unchecked, it has a necrotizing effect on vast swaths of ocean. The blooming flora gives the water a murky crimson taint, but that's the least of it. After a while, the darkness begins to spread, choking out all the oxygen and killing everything in its path. Red Tide produces a potent neurotoxin that has been known to kill people unlucky enough to drink the foul corruption. That which the Red Tide kills sinks to the bottom and rots, providing further fuel to make the Red Tide grow… and the feast goes on.

Need your humble narrator point out that our Red Tides get worse and worse with every passing year?


On the global scale, the news isn't much cheerier. In what scientists warn might be a tilting point in the acceleration of Global Warming, an expanse of Siberian permafrost the size of Western Europe is beginning to thaw for the first time since the Ice Age ended.

But this Global Defrosting could lead to things far worse than just the world's biggest muck-pit. The region consists mostly of a vast peat bog, with billions of tons of methane -- a greenhouse gas 20 times more destructive than carbon dioxide -- trapped in its frozen depths. If unleashed, this methane could double or triple the already accelerating rate of global temperature increase, leading to consequences that can only be described as Apocalyptic. Russian scientist D. Kirpotin described the situation as an "ecological landslide that is probably irreversible, and is undoubtedly connected to climatic warming."

And so it's come to this. The oceans are choking to death. Entire ecosystems are collapsing. The toxic effluvium of our waste-based society threatens to make our bloody bickering as meaningless as our very lives. We know the consequences, but we can't seem to stop ourselves.

At some level, most of us understand that the human species is going through an unprecedented metaphysical crisis. And most of us understand that this crisis is probably terminal. Like the cultists and malcontents who populate Lovecraft's fiction -- who know that if their incantations succeed, the best they can hope for is a quick death -- we are hastening our own obliteration. We collectively rush to be folded up into the formless tentacles of the boiling chaos that birthed us, and be devoured whole. In other words, we rush to embrace the ultimate doom that is the destiny of all living things, no matter what.

Tuesday, July 17, 2012

ENOUGH WITH THE PLUSH CTHULHU TOYS ALREADY

As a Cthulhu True Believer, I have officially had enough of "plush Cthulhu" and other light-hearted Cthulhu-related photos, Photoshops, videos, meme-squats, etc that have been proliferating across the Internets over the last few years. When every cheap plastic Jesus on every glow-in-the-dark crucifix in every good Catholic's home begins to spurt blood and shriek in agony, and when all the newborns in the world stand up ramrod straight in their cribs to chant in unison in a tongue no one can comprehend, and when half the Pacific turns into a new, rotting continent of writhing, jellied sea-beasts, and when the pitch-black spires of the city of Rlyeh finally rise stabbing toward the stars, and when the doors to His gargantuan crypt open wide, and when every ear on the planet begins to bleed at the Call of His awakening... maybe then people will finally understand why these fluffy little thotchkes are not now, nor have they ever been, cute, adorable or funny.