1. In your recent online travels through the more political sections of the Internet - but most especially in journalistic comment sections shitted up by Matt Drudge's loyal army of Keyboard Kommandos, as well as other assorted subhuman garbage people* - you may have come across a newly minted taunt: "Cuckservative", often shortened to just plain old "cuck". This Baffler article by Amber A'Lee Frost is a good place to begin learning about both the origins of this insult, and the pretty obvious psychopathies pulsing through the mushy brains of the people who make up the online "movement" that has so enthusiastically adopted it as their go-to insult of choice. Frost explains:
Just as you’d assume, cuckservative combines conservative and cuckold, referring not literally to the husband of an unfaithful woman, but rather to the sort of insufficiently masculine RINO (Republican In Name Only) who is unable and/or unwilling to vanquish the corrosive forces of Marxism, feminization, and reverse racism that threaten to destroy the very fabric of our once-beautiful country.
At Salon, Joan Walsh professed her shock and disgust at the coinage, thanking The Daily Caller’s “mild-mannered, clean-cut conservative writer” Matt Lewis for bringing its ugly genealogy to her attention. Lewis claimed the first half of the word comes from the “cuckold” genre of pornography, wherein a black man has sex with a white woman while the performer playing her white husband watches ashamed, titillated, or both. In this context, the slur implies a “race traitor.” Over at The New Republic, Jeet Heer corroborated this usage and expounded on the term’s disturbing undercurrents of psychosexual racism under the too-clever-by-half headline “Conservatives Are Holding a Conversation About Race.” ...
Not long after the first wave of cuckservative commentary washed over the servers of the left-leaning Internet, the sheer spectacle of liberal agita over the expression attracted the attention of more respectable outlets of debate. The Columbia Journalism Review dove into an intensive etymology of the term. (Did you know that The Oxford English Dictionary informs us that “cuckold” likely came from “cuckoo,” a bird that lays her eggs in another bird’s nest?) Even the venerable Gray Lady, though reluctant to broach the topic of pornography, felt obligated to translate cuckservative to her readership, unfortunately covering it under “Politics” and not, as I had hoped, in the Style section.
As cuckservative went more or less mainstream, most conservative pundits scrambled to distance themselves from it, which makes sense, since it wasn’t doing much to enhance their standing in a presidential election cycle (and since conservatives, as we know, are traditionally averse to both pornography and obscenity). Erick Erickson at RedState denounced the word, calling it “a slur against Christian voters coined by white supremacists”—a condemnation echoed by Matt Lewis, the aforementioned “mild-mannered, clean-cut” sociologist of porn. It’s a fantastic feat of mental gymnastics to twist the cuckservative affair into fodder for a Christian persecution complex, but it’s hardly an unprecedented move for white commentators on the right. After all, many talking heads initially treated the recent massacre of black church parishioners in Charleston, South Carolina, by white supremacist Dylann Roof as a secular assault on a Christian house of worship. ...
As far as I know, the only high-profile conservative who went to the mat for cuckservative was right-wing novelty act and gay Catholic Breitbart scribe Milo Yiannopoulos. He presumes that since he has “literally taken black dicks in the ass,” his careful analysis of the theoretical racial dynamics at play afford him a sort of Standpoint Theory expertise—the kind of intellectual authority granted only by personal experience. ...
Yiannopoulos further argued that cuckold and cuckservative are not racist terms because they were popularized not on Stormfront or in some KKK chatroom, but in that bastion of postracial enlightenment, 4chan, which, as it turned out, played no small role in Roof’s radicalization.Unfortunately, Frost misses some important stuff regarding cuck's coinage, which, stray outliers aside and notwithstanding Yannapowhatsis' mincing prevarications, apparently took place in the rabidly racist cesspit of TheRightStuff.biz, home to a cohort so deaf to the signature screech of cognitive dissonance that they can go from denying the Holocaust to celebrating the Holocaust in a single sentence without even pausing to add a dash or a comma. A breed apart, indeed. Anyway, read Frost's article, keep in mind what I have added to it here, do your own research if you feel it's necessary, but above all, remember... people who say "cuck" should be avoided, but you should also keep tabs on them. See the asterisk at the bottom of this post to find out why.
2. As if the above story (and all its various parantheticals) wasn't enough to fill your heart with hate this morning, why not read this Prospect Magazine story about Max Martin, the Swedish "Svengali" of the international music industry? This is a man who got his start with the execrable Ace of Bass, and who appears to have recently cracked the code for writing godawful saccharine pop music hits.
In a new book entitled The Song Machine, the New Yorker writer John Seabrook forensically tells the story of “All That She Wants,” and what it set in train: a new kind of industrialised popular music in which every last nuance is carefully considered, instant impact is all and songs are filled with enough sonic punch to monopolise people’s attention.
The story moves from the watershed success of Ace Of Base, through such international boy-band sensations as the Backstreet Boys and *NSYNC, on through the rise and fall of Britney Spears and on to the modern pop aristocracy: Rihanna, Katy Perry and Taylor Swift. The speciality of the songwriters and producers who work with such artists, Seabrook says, is music “made for malls, stadiums, airports, casinos and gyms,” which is metaphorically “vodka-flavoured and laced with MDMA.”
If you want a illustrative flavour, listen to Swift’s frantic 2014 masterpiece “Shake It Off”: as exciting a pop record as I have ever heard, and so addictive that having it buzzing around your head produces an anxious, unfulfilled feeling similar to needing a cigarette. The only cure is to listen to it again and again.
Seabrook calls tracks like this “industrial-strength products.” And self-evidently, they are made in an industrial kind of way.The music being discussed is, of course, absolute and utter shit. But the story itself is quite interesting, if a little bit creepy with some definite (but subtle) MKUltra undertones. Bad music, a conspiracy? Why the hell not!
3. And finally for today, we bring you the story of the weird-ass machine that succeeded in freaking out none other than Nikolai Tesla, himself: the Spirit Radio!
“My first observations positively terrified me as there was present in them something mysterious, not to say supernatural, and I was alone in my laboratory at night”– Nikola Tesla, 1901 article Talking With The Planets
*A list that includes Trump's True Believers, Social Security-collecting FOX News "libertarians", Red Pill-poppers, meme-spewing Alt-Right Mega-Trolls, Evangelical Hyper-Zionists, Conspiritarded "Info-Warriors" (actually the woolliest sheeple on the Animal Farm), "Race Realists", proponents of the "Dark Enlightenment", NeoReactionaries (NRx), and other such groups among whose ranks currently lurk the next David Koresh, Dylann Storm Roof, Tim McVeigh, Cliven Bundy, Anders Breivik, Anton Lundin-Pettersson, Frazier Glenn Miller, Wade Michael Page, etc, etc, etc...
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